Archive for the 'human arts' Category

The Future of Theater in American Culture

Ken Davenport is rally doing something phenomenal. It seems he is the first major producer, or among the first, to produce a Broadway show funded by community investors. With median investments between $20-40, and demographics including priests, teachers, and truck drivers pitching in for Godspell. He is also the utilizing social media in real ways, [...]

The Structure of Cognition

Whitmer looks to define disassociation as a single-person endeavor, within the context of a relationship / interaction. The single-person model constructs disassociation as a defensive activity that limits exposure to developing Mind / mental strategies in the context of an other (e.g. Parent) who presents conflicting, confused, or (otherwise) subtly traumatizing presence of being. Whitmer [...]

The arrival of memory

There was a sight ( of some small bread made in a style) and a smell ( light but warm and bodied); and there’s a texture, and taste like flour. The kinds of fragments of a memory of a food that you never forget.  In my vision: a man. A baker from an old kingdom; [...]

From Balkunin to Bloodline

Balkunin is very concerned with ethical epistemology. Wherefrom Right was derived and its ownership (by the people) stand as core to his questions. The only kind of right is a natural break, which is itself a delicate shroud of one’s residence and accordance with natural law. The actions one takes in consonance with natural law [...]

How games-as-art closer reveals the heart of Art work

Roger Ebert’s recent piece that challenges the presence of Art within games is wonderful. Though I think his article has a mix of flaws and insights, the essential elements that drive criticism are wholly important. It has generated response from key people in the dialogue, and so much hating. I think the stand-out things to me are:

Etymological Absinthe

Absinthe, a spirit of legend, has in recent years been revived under the banner of being neither a psychedelic nor a deliriant. True as those statements may be on the surface, I was pleased to discover an errata that may tie the fabled drink with more righteous roots. With all due respect to the reasons for concealment and the initiatory threshold, I offer in context this paragraph

Step in Step with Fate

There are qualities to walking step in step with fate.

Calmness permeates every arrival in the flow. It creates space into which unfolds the force of life present and waiting in each person and thing. The heart holds unwavering sensitivity for the entangled yet nonlocal complement. Calm listening allows every quiver and tension of the space around, within, to yield upon the true path.

Nothing Unreal Exists

@Hardaway today made another sincere dive into the US recessive trends. She draws light on words from a mentor of hers, who suggests that the resources and capabilities of North America show that we haven’t really ‘lost’ anything. I’ve heard the expression that “Nothing real can be threatened. Nothing unreal exists.”  When I originally heard [...]

The Necessity of Patriarchy?

In the absence of challenges, the portrayal of men does not leave any sense of the kingly qualities that man, at his fullest and most noble, is capable. What’s a girl to do if she already has the best mousetrap? Build a better mouse.

Costume and Symbolism of Shen Yun – the Divine Performing Arts show

The performance itself was deeply inspiring. The troupe has done well to present some of the old face of China – or, at least, what a US person is likely to see as ancient Chinese arts. In the character performances, the stage theatrics were very good at conveying emotional dialogue. The performance was an exercise in portraying human majesty.